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VALENTINE'S CATHOLIC CHURCH Peru, Illinois OPUS XX, 1995 |
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The original instrument in
this church was a tubular-pneumatic Hinners instrument built in a case which
wrapped around the base of the Bell Tower masonry work in the Balcony. The Swell
was situated on the right side while the Great was on the Left. The facade
across the archway in the center of the Bell Tower masonry work contained the
largest pipes of the 8' Open Diapason with the trebles placed immediately behind
them. Immediately flanking the central facade were placed the lowest 9 notes of
the Great 8' Dulciana and 8' Salicional, respectively. The remainder of the
facade pipes flanking these two "Towers" in font of the Great and Swell chests
were silent.
Early in the life of the instrument (about 1920), the
instrument was remodeled by the Wicks organ Company of Highland, IL. This
consisted of removing all of the tubular pneumatic windchests and building new
Direct-Electric(R) windchests for the compliment of original pipework, including
electrifying the facades.
In the early '70's further work was done by an
itinerant regional organ firm in the form of replacing the console with a
second-hand Kilgen console from the late 1940's and "re-wiring" the organ, which
took the form of installing Reisner gang switches and relay magnets all over the
floor inside the Bell tower, making it impossible to get into the attic space
and Bell Tower above without tripping over and disrupting all of the
magnets.
By the early 1990's severe damage to most of the pipework had
occured due to careless maintenance by unqualified personnel from this same
company, no one stop functioned properly. Somewhere along the line, the original
blower was replaced with a BOBCO unit that was located on sand in the celler
beneath the base of the bell tower of the Church. This, in turn, fed only one
reservoir three stories up for the entire instrument!
The renovation
program began with re-wiring the instrument and the console with new Peterson
diode matrix relay system including new key contacts in the console. The
original Kilgen "tripper" combination was retained but re-configured as a
cost-containment measure. Consequently, the Manual to Pedal couplers were
re-configured as illuminated reversible pistons, in order to allow for a more
complete Pedal stoplist than would have been otherwise possible.
The
original Wicks windchests serving the Swell and Great Divisions were completely
re-finished and re-built. The stoplist of the instrument was completely
re-engineered to accomodate the existing windchests, as well as incorporating a
newly-built Windchest in the Center section to replace the existing facade
chest. This allowed for the creation and placement of a new Principal Chorus in
the instrument. Heretofore, the instrument had consisted of Two Flutes and Two
Strings per division. End of organ. Re-configuration of the existing windchests
and re-wiring the instrument permitted then addition of desirable mutations and
other registers.
When the project was begun, the existing casework had
been re-finished somewhere along the line with green "antiquing", and the dumb
facade pipes had been finished with white piant and gold flecking; resembling
Formica (R) countertops from the 1960's. In addition to re-configuring the
instrument, it was desirable to modify the Facade to include all speaking pipes,
as well as refinishing the casework and installation of the chimes into the
organ.
Great improvements to the egress of sound heretofore not possible
were made possible by the removal of the air conditioners air-handling unit
above the pipework(!)
The instrument enjoys the ideal location in terms
of gallery placement on the long axis of the Nave. However, some minor problems
needed to be remedied. The main existing windchests were located below the
Impost (the wooden member upon which feet of the facade pipes stand) and thus
the interior pipes speak into it. This problem is further magnified in the Swell
Division because the opening of the Swell Box faces West. Consequently, these
windchests were raised and swell shades facing the Nave were provided and
installed.
A requirement of the installation was to permit viewing of the
windows behind the central facade. Consequently, the new facade layout placed
the largest pipes of the 8' Diapason on either side of the two "string bass
towers". Replacement pipes will be built for the String basses in the two
towers. Pipes in the central facade are the tin trebles for this 8' Prestant
stop.
The casework of the instrument was stripped and re-finished locally
in a light stain and lacquer finish.
All re-used stops in the instrument
which are not replaced were carefully gone-over, in terms of repairs, regulation
and speech of the pipes. The intention here was to improve upon the original
voicing and speech of the instrument by making careful improvements and
corrections to the speech of these pipes.
The following operations were
performed to this instrument:
All existing windchests were renovated to
include the following items:
The
pipework in the instrument received the following treatment:
The console was renovated to include the following:
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For a summary of this project written on pipeorgans.com, click here.
SOLI DEO GLORIA!
Those participating in the project were as
follows: Richard M. Schneider, President: CADD Layout, Tonal
Engineering, Pipemaking, Voicing, on site-wiring & Tonal
Finishing.
Joan Schneider, Secretary: Fiscal Management, Pipe
Polishing & Installation assistance.
Jerry R. Smith, Shop
Assistant: All Shop woodworking modifications, new Chest construction and
re-building; pipe finishing.
K.O. Schneider, Retired Chairman of
the Board: Installation Assistance
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© 2002, Schneider Pipe Organs, Inc. |